Tuesday, January 30, 2018

Ukulele group strumming to its own tune

Warrnambool Standard Jan. 27th 2018 - ©Copyright Warrnambool Standard 2018  All rights reserved

IT was a toss-up between the bagpipes and the ukulele when, in her 50s, Denise Mugavin decided to learn a musical instrument for the first time. The question was which one would be easier to learn, and for that matter, which would be easier on the neighbours when it came to hearing her practise. The grating wail of a beginner’s bagpipes, or the sunny strumming of a little ukulele? In the end, there was really no contest. A trip to the Koroit Irish Festival four years ago sealed the decision for Ms Mugavin. Watching a performance by the Warrnambool Ukulele Group with her husband Michael, she warmed to the idea that this pint-sized guitar lookalike could be her instrument of choice. “We saw them playing in one of the pubs there at the festival, and I thought, ‘I’d like to do that.’ I just thought it might be something I might be able to learn to play,” she recalls. Thanks to the Warrnambool Ukulele Group (WUG), the Killarney nurse has not only fulfilled her ambition of mastering an instrument, she now has a whole new social life to boot.“I’m just a basic player, but I enjoy playing what I do and meeting new people and being part of a group,” she explains. And there are plenty more like her. WUG has a fluctuating membership of between 50 and 100, with about 30 enthusiastic players like the Mugavins meeting weekly for sessions at Warrnambool’s Flying Horse Bar and Brewery. Their musical prowess is as varied as their backgrounds with doctors, farmers, retirees and academics strumming shoulder-to-shoulder. Since Warrnambool couple Kevin O’Toole and Annie Carmichael founded the group in June 2012 on the back of a national ukulele resurgence, more than 200 people have taken the opportunity to pick up an instrument for the first time.
Mr O’Toole says the group welcomes members of all musical abilities. “The main objective is to have a good time by bringing people together to strum and sing in the hope that they might develop their musical abilities.” Musical development aside, it’s pretty clear that enjoyment is top of the list for most WUG members, reinforcing the uke’s reputation as a fun instrument. “If you’re not smiling you shouldn’t be playing the ukulele,” says Mr O’Toole. Apart from a broad smile, mad hats and themed costumes or “something out there”, is the mandatory dress code for members at public performances. “If nothing else, we decided we’d make a splash of colour.” The group regularly entertains at community festivals like Port Fairy’s Moyneyana or Koroit’s Irish festival and fund-raisers such as Relay for Life and Movember, with audiences invariably joining in the fun. It was after a sabbatical in Hobart by Mr O’Toole and Ms Carmichael in 2012 that Ms Carmichael floated the idea of setting up a local ukulele group in Warrnambool. The foster care worker with a musical bent for conga drums had joined the Hobart Ukulele Group, enjoying the experience and the camaraderie so much that she convinced her husband and musician friend bassist Judith Sharrock to come on board and take on the role of teachers. Flyers were posted and eight would-be uke players turned up for the first session, 12 the second and 20 by the third night. The Warrnambool Ukulele Group was born. Some were novices, some like Victor Reid were accomplished players. Mr O’Toole said Mr Reid had been central to the development of the group, particularly in helping with musical arrangements. Similarly, as a founding member and bass player, Judith Sharrock has been the WUG linchpin. A professor of political science who also happens to be a handy guitar and ukulele player, Mr O’Toole says most people are attracted to the ukulele because it looks easy to play, it’s small and portable and relatively cheap.“Part of it is also social. They can have a bit of fun and relaxation. It’s a good way of chilling out.”But he cautions, as with learning any instrument, practice, a desire to play, and the quality of the instrument will determine just how well you do. “Like all instruments, it’s easy to play badly, but if you want to play well, you need to practise and get the technique right from the start. “People also think they can pick up a little toy instrument and think they’re going to play, but they can’t. If you want to learn to play properly, you need a ukulele that will stay in tune so the notes are properly calibrated. The better the instrument, the better the sound,” he says. “It’s a beaut little instrument that can create all sorts of music.”  There’s much more to it than ukulele standards like Lovely Bunch of Coconuts or Tiny Tim’s Tiptoe Through the Tulips, according to Mr O’Toole. “There is some music you can’t play on it because it’s not built for it, like heavy metal, but you can play classical music, you can play jazz and blues.” There’s also no shortage of contemporary music featuring the ukulele thanks to current artists like Jason Mraz. For Warrnambool music store, Dale Cleves, ukulele sales have never been so good. “Sales are absolutely booming,” says sales consultant Corey Verhaegh. “Since the group started we’ve never sold so many.” From a previously small selection of ukuleles, the store now dedicates an entire wall to a display of about 30 instruments to cater for members’ needs. In three basic models – soprano, concert and tenor – adult instruments range in price from an entry level $69 up to $650, or, for a top-of- the-range model, as much as $1000. Ukuleles now count among the store’s best-selling lines, according to Mr Verhaegh. Until recently, community health clinician Julie McKenzie’s sole experience with a musical instrument was the recorder in primary school. She’d seen the uke players enjoying their weekly sessions at a local pub and thought it looked like a fun thing to do, but it wasn’t until New Year’s Eve at Port Fairy’s Moyneyana Festival three years ago that she decided to take it a step further. Standing in a queue for coffee, she overheard the couple in front of her speaking Spanish, and, in the spirit of the night, stepped up to wish them a happy New Year in Spanish. Rewarded with warm hugs from the couple, an inspired Ms McKenzie made it her New Year’s resolution to either learn Spanish or the ukulele. The ukulele won, a decision she’s thankful for every Monday night at the group’s weekly session. “It’s my sanity break on a Monday night after work to sing and play,” she says. “It doesn’t matter if you’re playing well or badly, you’re having fun and enjoying yourself.” John Sobey loves playing the ukulele so much he has five instruments and is a member of three ukulele groups: Port Fairy, Warrnambool and one in Noosa. The Port Fairy agribusiness operator started off playing in the Port Fairy group before joining Warrnambool, simply for the opportunity to play two nights a week. Now he’s teaching his wife Shirley to play and the pair have joined a group in Noosa where they spend most winters. Two of his ukes stay permanently on hand at their Noosa property. “It’s really good fun,” he says. “It’s probably one of the easiest instruments to learn. If you have any sort of rhythm and you can tap your foot, you can play".

Tuesday, January 23, 2018

Lost in Suburbia - photos from 2001 Rhapsody in June - Stump Hotel June 10th 2001

Lineup for this performance: Trevor McKenzie (lead guitar, vocals), Wendy Goyen (guitar, vocals), Peter Bird (bass), Henry Bird (drums), Michael Schack (guitar, vocals), Brendan Mitchell (pedal steel guitar), Tony Beks (fiddle, mandolin), Wayne Stewart (guest vocals), Daryl Parfrey (guest vocals)















Lost in Suburbia

Warrnambool band Lost in Suburbia photographed at the Deakin University Student Union Bar in December 1999. They were performing at Peter Bird's 50th birthday celebration. From left, Richard Tankard, Trevor McKenzie, Rob Bevan, Wendy Goyen, Michael Schack, Murray McDowall.

Lis 'n' Up

Photo shows Boyd Advincula and Melissa Banner performing as part of duo "Lis 'N' Up" at the Stump Hotel Port Fairy June 13th 2003.

Lost in Suburbia on Nu-Country TV (Channel 31) 9th June 2007


PREVIEW EPISODE 1 - SERIES 8
by Dave Dawson -- originally published : http://www.nucountry.com.au/articles/diary/previews2007/series8/previewepisode1_series8.htm


Shipwreck Coast band Lost In Suburbia also made a big impact at Port Fairy with songs from their self titled debut CD. The band, formed from the ashes of Nevada, has been working the coast for almost a decade.We captured them performing the Dwight Yoakam classic It Only Hurts When I Cry live at the Shebeen Bar - once known as the Guinness Tent. Axel Keert, brother of drummer Rohan - known for his work with the T-Bones and Slap N The Cats - headed the camera crew. Dead Livers bassist Michael Schack, who plays rhythm in Lost In Suburbia, was in the house band for the Dylan tribute show and pedal steel guitarist Murray McDowall took time out from driving a milk tanker for the gig. Lost In Suburbia bassist Peter Bird - our videographer for the 2005 Port Fairy fest - edited the clip for Nu Country.

Saturday, January 13, 2018

St Brigid's Blues and Roots Festival 12th Jan. 2018

Wendy Sellings

Lee Morgan

Frank Davidson and Pete Bird

The Monaros

Lost in Suburbia

Lost in Suburbia

Monday, January 8, 2018

Lost in Suburbia CD Launch 18th Dec. 2005 (Hotel Warrnambool)

Damian Howard, Peter Bird, Shane Howard, Marcia Howard, Rohan Keert,
Trevor McKenzie, Wendy Goyen, Michael Schack





Shane Howard, Trevor McKenzie, Michael Schack


Lost In Suburbia


Warrnambool Standard June 14th, 2007 - ©Copyright
Warrnambool Standard  2007.  All rights reserved

Rohan Keert, drummer for Warrnambool country group Lost In Suburbia, will become a TV talking head this weekend when he hosts an episode of Channel 31’s NuCountry. Keert’s stint on the long-running show will feature Tim McGraw and Dale Watson. Lost In Suburbia will also get a run, with a version of the Howard family’s Love Will Always Lead You Home. Unfortunately, Channel 31 doesn’t beam into the south-west, but if you’re in Melbourne, tune in from 8pm.

Lost in Suburbia -- Hotel Warrnambool July 26th 2009






Lost in Suburbia -- Hotel Warrnambool Mar 29 2009 (hiatus performance)














Found for one-off gig

Warrnambool Standard July 23rd, 2009 - ©Copyright Warrnambool Standard  2009.  All rights reserved
LOST in Suburbia will make a one-off return appearance at the Hotel Warrnambool this weekend for one of its time-honoured Sunday sessions. The special gig comes as the group takes some time off until the end of the year while Wendy Goyen completes further studies in Queensland. Goyen is back in town for one week only and will fill the Thursday night jazz spot before the Sunday set.